Art Direction / Graphic Design / Print / Typography / Front End Dev / Motion & Video
My skill set focuses on the execution of utilitarian design values across as many platforms and places as I can possibly work in. I have executed across print, screens, video, animation, and beyond.
Starscope started as a project pitched to Microsoft that was conceived by myself and my copywriting partner while working at Razorfish Portland. After it was greenlit, I worked on the design of the UI and the execution of the panoramic environments with a very talented team of art directors, designers, and developers. I stitched together screenshots we took in the 343 Studio offices into full 360° panoramas that were viewable using the gyroscope on mobile phones. I was also responsible for helping conceptualize and execute the various social media tie-ins for the campaign that followed it's launch.
I was approached by the Opinionated Group with two very different needs for this project. The first, was a responsive website. The second was an intro animation. I worked with a handful of designers to take there direction and execute it. I created the website in ProcessWire with a Bootstrap front end. The animation was created in Adobe After Effects. In order to compensate for landscape and portrait oriented browsers, we made two versions of the animation.
I have assisted and worked on various motion graphic projects, some of which are represented here.
For the first two, I was brought in to animate some videos that had already been written and designed, and just needed motion. For the third, I was responsible for storyboarding and creating the animation from scratch with VO provided. Please note, the second two are hosted offsite and may require a free account to view.
Inventory catalogue for a large number of additions to Division Leap's Archive. The turn around on this very content heavy project was two short weeks from first meeting to final print run. Adam Davis (owner of Division Leap) and I worked together on finding a good design direction early on, so I could spend a good part of our time staging and taking photographs of every item in the catalogue.
A type face based on the structure of traditional neon lettering.
Available for purchase from HypeForType.
I specialize in freelance and contract work, both in-person and remotely. I am capable of working in a variety of settings and team scales, from large groups to individual clients. If you are interested in collaborating to create some compelling design, please get in touch.